Karen Pullen’s debut detective mystery stars Stella Lavender, a feisty young detective with man problems and the ability to go undercover in a hoodie camouflaged as a teenage drug dealer. Deftly written and hard-hitting, this mystery raises questions about how we see couples, marriages, and love, and how what we see on the surface of a beautiful bride may not be the whole story. When a bride is murdered at her own wedding, Stella, one of the invitees, gets tapped to follow up, and it’s a winding trail indeed. She fits in her homicide work around her undercover drug agent job, and her work life is populated with an ex who dumped her and a boss who disses her, creating plenty of sympathy for her personal predicaments. Stella is no dupe, though, she’s a star just waiting to be born, and this debut novel’s twists and turns are worthy of her detective’s mind. We’re cheering for Stella all along, and by the end, somehow wiser about love and marriage. Pullen is a writer to watch. She’s not just playing detective. She’s laying open the secrets of the human heart, just what the best writers do.
February 10,2013
January 29, 2013
Karen Pullen’s Cold Feet
Karen Pullen’s debut detective mystery stars Stella Lavender, a feisty young detective with man problems and the ability to go undercover in a hoodie camouflaged as a teenage drug dealer. Deftly written and hard-hitting, this mystery raises questions about how we see couples, marriages, and love, and how what we see on the surface of a beautiful bride may not be the whole story. When a bride is murdered at her own wedding, Stella, one of the invitees, gets tapped to follow up, and it’s a winding trail indeed. She fits in her homicide work around her undercover drug agent job, and her work life is populated with an ex who dumped her and a boss who disses her, creating plenty of sympathy for her personal predicaments. Stella is no dupe, though, she’s a star just waiting to be born, and this debut novel’s twists and turns are worthy of her detective’s mind. We’re cheering for Stella all along, and by the end, somehow wiser about love and marriage. Pullen is a writer to watch. She’s not just playing detective. She’s laying open the secrets of the human heart, just what the best writers do.
June 27, 2011
Just read “Jonas” from Chatham County writer Belle Boggs’ short story collection, Mattapunai Queen. What a funny, generous, emotionally accurate writer! Looking forward to meeting her today. If you don’t think it’s possible to write a happy-ending story that includes a sex change operation, a marriage, and a cheerleading queen in the South, read her story at http://www.fivechapters.com/2010/jonas/
Looking forward to more! Just requested the book for purchase for the Chatham Community Library.
This page is dedicated to comments on books I am reading. Right now I’m working my way through the current/recent Press 53 Fiction titles. Did you know that Press 53 authors won Independent Press awards in 2 categories last year? Best Fiction (Mary Akers) and Best Regional Fiction (Clifford Garstang). I am proud to be associated with them, and even prouder when I read what they have wrought. More to come!
Some thoughts about In an Uncharted Country, by Clifford Garstang:
Clifford Garstang’s stories are masters of the fresh phrase, the accurate depiction of small town and rural life in the Shenandoah Valley–or any small town place surrounded by dead-end unpaved roads that lead to trailers and shacks. As someone who has visited those hills and valleys annually to visit family for 50 years, I recognize the small town that is central to these stories. Garstang has the gift of sharp observation of the human spirit and body and all its ways–dumb, drunk, young, wise, heartsick, brave, hopeful. Although each story has its own distinctive insights, my favorites of the bunch are two: “William & Frederick,” the story of a young survivor of a small town gay relationship, trying to make a go of it as an antiques dealer, the narration invoking and busting stereotypes right and left like so many cracked Ming vases as it travels through grief and desperation to a hopeful conclusion. Then there’s the final story: “Red Peony,” where Garstang has miraculously arranged for just about all of his diverse cast of characters to come together and celebrate Fourth of July, as if they were some large, damaged, deeply American family–which, of course, they are, as any community is. Bravo. And more, please!
